Home  ›  Here We Go Again Ray Charles Lyrics

Here We Go Again Ray Charles Lyrics

Written By Thursday, March 17, 2022 Add Comment Edit

1967 song past Ray Charles

"Here Nosotros Go Once again"
Black 45 record label with the ABC logo on top and the song "Here We Go Again", singer Ray Charles and other detail

"Hither We Go Again" 7-inch single cover art
Single by Ray Charles
from the album Ray Charles Invites Y'all to Heed
B-side "Somebody Ought to Write a Book About Information technology"
Released 1967
Recorded RPM International Studio (Los Angeles)
Genre Rhythm and blues
Length 3:18
Label ABC Records/Tangerine Records
Songwriter(s) Don Lanier, Red Steagall
Producer(south) Joe Adams
Ray Charles singles chronology
"Please Say You lot're Fooling"
(1966) 		"Here Nosotros Become Over again"
(1967) 		"In the Oestrus of the Night"
(1967)

"Here We Become Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues unmarried by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was record producer by Joe Adams for ABC Records/Tangerine Records. To date, this version of the vocal has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.

The most notable encompass version is a duet by Charles and Norah Jones, which appeared on the 2004 anthology Genius Loves Visitor. This version has been the biggest critical success. Subsequently Genius Loves Company was released, "Hither We Go Again" earned Grammy Awards for Record of the Year and Best Pop Collaboration at the 47th Grammy Awards in February 2005, posthumously for Charles, who died before the album'due south release. Another notable version by Nancy Sinatra charted for five weeks in 1969. Johnny Duncan charted the song on Billboard 's Hot Country Songs chart for five weeks in 1972, while Roy Clark did so for seven weeks in 1982.

The song has been covered in a wide variety of musical genres. In total, five dissimilar versions have been listed on the music charts. Although its two most successful versions have been rhythm and blues recordings, many of its other notable covers were featured on land music albums. "Here We Become Once again" was start covered in an instrumental jazz format, and many of the more than recent covers take been sung as duets, such as ane with Willie Nelson and Norah Jones with Wynton Marsalis accompanying. The song was released on their 2011 tribute album Here Nosotros Go Over again: Jubilant the Genius of Ray Charles. The vocal lent its name to Cherry-red Steagall's 2007 album as well. Cover versions have appeared on compilation albums by a number of artists, even some who did non release "Here Nosotros Go Once more" every bit a unmarried.

Original version [edit]

In November 1959, afterward twelve years as a professional musician, Ray Charles signed with ABC Records, following the expiration of his Atlantic Records contract.[i] Co-ordinate to Will Friedwald in A Biographical Guide to the Smashing Jazz and Pop Singers, "His start four ABC albums were all primarily devoted to standards..."[2] In the 1960s, he experienced crossover success with both rhythm and dejection and country music. Because Charles was signed to ABC as a rhythm and dejection singer, he decided to wait until his contract was upwards for its iii-year renewal before experimenting with country music, although he wanted to do and then sooner. With the help of ABC executive Sid Feller, he gathered a set up of state songs to tape, despite the wishes of ABC.[3] The release of his 1962 land albums Modernistic Sounds in Country and Western Music and its follow-up Mod Sounds in Country and Western Music, Vol. 2 broadened the entreatment of his music to the mainstream. At this point, Charles began to appeal more to a white audition.[4] In 1962 he founded his own record label, Tangerine Records, which ABC-Paramount promoted and distributed.[5] [half-dozen]

"Here We Go Again" was recorded during a phase in Charles' career when he was focused on performing country music.[7] Thus, "Here We Go Again" was a country music song released by the Tangerine characterization ABC-Paramount, just performed in Charles' rhythm and blues manner. However, his works did not deport the Tangerine label until 1968.[viii] Feller left ABC in 1965,[9] merely he returned to arrange Charles' 1967 anthology, Ray Charles Invites You to Listen.[10] Joe Adams produced and engineered the album, which included "Here Nosotros Go Again".[10]

First released by Charles in 1967, "Here We Go Again" was written past Lanier and Steagall and published by the Dirk Music Company.[eleven] Charles recorded it at RPM International Studios, Los Angeles,[12] [thirteen] and the song was listed every bit the 6th of ten tracks on Ray Charles Invites You to Listen.[14] [15] [16] Starting in 1987, it was included in numerous greatest hits and compilation albums.[17] When Modern Sounds in Country and Western Music was reissued in 1988, the vocal was added as a bonus rails.[12] [thirteen] It was also included on the 1988 album Ray Charles Anthology.[18]

Composition [edit]

Steagall endured polio as a teen and learned how to play the guitar and mandolin during his recuperation.[19] This activity helped him regain the apply of his left arm and mitt.[20] When he enrolled at West Texas State Academy, he formed his start state band.[19] Don Lanier formed a group by the name of The Rhythm Orchids along with Buddy Knox and Jimmy Bowen.[21] He was hired as a soil chemist but played weekends at country dances. Subsequently he quit his professional part, he formed a band that became popular in the Rocky Mountain ski-resort clubs.[22] He moved to Los Angeles in 1965 and embarked on folk society performing and songwriting.[23] He wrote for two music publishers, Tree and Combine, earlier signing with Capitol Records.[22] Eventually, Steagall joined Lanier and Bowen. Steagall and Lanier co-wrote "Hither We Go Again".[21] Steagall'due south commencement break came when Charles covered "Here We Become Over again".[19] Steagall says that the song "came about in a very unusual mode and very quickly".[21] One source fifty-fifty claims that Steagall did non come to Hollywood until after Charles recorded the song.[24]

Co-ordinate to the sheet music published past Dirk Music, "Hither We Become Over again" is set up in 12/8 time with a irksome shuffle tempo of sixty-nine beats per minute. The vocal is written in the central of B ♭ major.[25] It is primarily a country song,[26] but contains gospel influences.[27] According to Matthew Greenwald of Allmusic, "'Here We Go Over again' is a soulful ballad in the Southern blues tradition. Lyrically, it has a resignation and pain that makes the blues, simply, what it is. The recording has a simple and sterling gospel organization and, in hindsight, is one of Charles' finer attempts in the studio from the 1960s."[28]

Performance history [edit]

The playlist of the 1967 bout promoting Ray Charles Invites You to Listen is not readily available, only "Here Nosotros Go Again" was the all-time-charting song on the album (and likely on the playlist). Charles' tour began with a benefit concert on the USS Constellation, which was preparing to depart for the Vietnam War from San Diego Harbor. The tour, Charles' first since 1964, connected to Europe in mid-Apr where information technology visited the Imperial Festival Hall, London and Salle Pleyel, Paris, too every bit Vienna. In May, the band played dorsum in the Us at New York City'south Carnegie Hall before returning to California. The tour received bad reviews from publications such as Jazz Journal, Jazz Magazine and the New York Post. Subsequently that summertime, the ring played Constitution Hall, Washington, D.C. In the fall, Charles had his offset lucrative Nevada casino performances, which started with a three-week run at Harrah's Reno that was praised in Variety. The bout also had an extended autumn run at New York's Copacabana nightclub.[29]

Reception [edit]

Greenwald described the original version of "Here We Become Again" every bit "Some other first-class case of how Ray Charles was able to fuse blues and land".[28] In a review for the unmarried, a writer for Billboard magazine wrote that the song could hands exist a "blockbuster" for Charles.[26]

The original version debuted at number 79 on the Billboard Hot 100 chart in the May twenty, 1967, issue and number 48 on the U.s. Billboard Hot Rhythm & Blues Singles top fifty chart on June ten, 1967.[xxx] [31] For the weeks ending July xv, 22 and 29, the song spent three weeks at its peak position of number 15 on the Hot 100 nautical chart.[32] [33] Information technology spent July 22 and 29 at its meridian position of number 5 on the Hot Rhythm & Blues Singles nautical chart.[34] [35] By Baronial 12, it fell out the Hot 100 chart, ending a 12-week run.[36] Information technology remained on the Hot Rhythm & Blues Singles chart for 13 weeks catastrophe on September two.[37] [38] "Here We Go Again" was Charles' final single to enter the top twenty of the Hot 100.[39] For the year 1967 the song finished at number lxxx on the US Billboard Yr-Cease Hot 100 chart and 33 on the Year-End Hot Rhythm & Blues Singles chart.[40]

Abroad, it debuted on the United kingdom Singles Chart top 40 at number 38 on July 8, 1967, which would be its peak.[41] It totalled 3 not-consecutive weeks on the nautical chart.[42] [43] In the Netherlands, "Here Nosotros Go Again" appeared on the singles chart at number ten on July xv, 1967, and afterwards peaked at number 3.[44]

According to Will Friedwald, this song is an example of Charles vocalizing in what would unremarkably exist a mostly extraneous manner for dramatic upshot by using a different vocalization than he had ever previously exhibited. He sang "... not merely using the squeak—using a whole new kind of squeak, in fact—for additional coloring on the sidelines, merely making information technology the heart of the thing, literally squeaking out the words and notes in harmony with the Raelettes" (his background singers).[2]

Rail list [edit]

  • vii-inch single [45]
  1. "Here Nosotros Go Again" – 3:14
  2. "Somebody Ought to Write a Book About It" – iii:02

According to Allmusic, the solo version is listed at lengths between iii:xiv and iii:20 on diverse albums.[17]

Credits [edit]

Charles is credited as vocalizer and pianist with unknown accessory. Feller is credited for having bundled and conducted the recording. This is 1 of ii songs on the anthology ("Yesterday" being the other) that in addition to being listed as ABC-Par ABC595 is credited as Dunhill DZS036 [CD].[46] The individual vocal had a label number ABC/TRC 10938.[47] [48] "In the Heat of the Night" as well had a Dunhill credit only a unlike number for both Dunhill and ABC.[46]

Nancy Sinatra version [edit]

"Here We Become Again"
Black and white cover art photo of Nancy Sinatra on one elbow in a white dress. The border is purple as is some of the captioning. Caption says Nancy Sinatra in black. Side captions detail the record label and the song name in purple. The bottom caption has the B-side song name, "Memories".
Single by Nancy Sinatra
from the anthology Nancy
B-side "Memories"
Released 1969
Genre State
Length 3:07
Label Reprise (#0821)
Songwriter(s) Don Lanier, Red Steagall
Producer(s) Billy Strange
Nancy Sinatra singles chronology
"God Knows I Love You"
(1968) 		"Here We Go Once again"
(1969) 		"Drummer Man"
(1969)

Nancy Sinatra recorded a cover of the song for her 1969 anthology Nancy, which was her first album subsequently ending her account with producer Lee Hazlewood.[49] The comprehend, which co-ordinate to programming guides had an piece of cake listening and country music entreatment,[fifty] was produced past Baton Strange.[51] [52] The B-side to the single, "Memories", was written by Strange along with Mac Davis.[52] [53] Billboard magazine staff reviewed the song favorably, stating that the comprehend was a "smooth sing-a-long popular style".[52] They besides commended Sinatra'southward singing, calling it a "fine" performance, noting that it would likely return her to the Billboard charts.[52] Sinatra'southward version was later remastered and reissued in 1996.[54]

Chart performance [edit]

Although CD Universe describes the song equally a land music song,[49] information technology never charted on country music charts. For the week ending May 17, 1969, the song was listed amid US Billboard Bubbling Under Hot 100 Singles nautical chart at number 106 and debuted on the Usa Billboard Easy Listening Top xl chart at number 30.[55] [56] The following calendar week it debuted on the United states of america Billboard Hot 100 nautical chart at number 98,[57] its noon for its two-week stay.[58] The song then spent a total of two weeks on the Hot 100.[59] For the week ending June 7, the vocal spent a 2d consecutive week at its peak position of number 19 on the Easy Listening chart.[60] The vocal remained on the chart for five weeks until June 14, 1969.[61] [62] In Canada "Here We Go Again" debuted at number 38 on the RPM Developed Contemporary chart (previously Immature Adult Chart) on June 2, 1969.[63] It peaked at number 21 for the week of June 16, 1969.[64] The song spent a full of five weeks on the chart.[65] [66] According to Allmusic databases, 1969 was the final year in her career that Sinatra reached the Hot 100 chart (with "Hither We Go Again", "God Knows I Love You lot" and "Drummer Man").[67]

Rail listing [edit]

  • 7-inch vinyl single [53]
  1. "Hither We Go Again" – 3:07
  2. "Memories" – 3:40

According to Allmusic the original rails was 3:09, but when it appeared on the 2006 compilation album Essential Nancy Sinatra, information technology was 3:11.[68] The unmarried was initially released through Reprise Records. In a non-exclusive licensing agreement, Reprise (part of Warner Music) gave RCA Records the rights to distribute the records of some of their artists including Sinatra and Dean Martin.[69] In 1971, Sinatra and Reprise parted ways, and then she signed a long-term contract with RCA Records.[70]

Credits [edit]

The following musicians performed on this track:[51]

  • B.J. Bakery Singers (fill-in vocals)
  • The Blossoms (backup vocals)

The following musicians performed on this album:[49]

  • Al Casey (guitar)
  • Jerry McGee (guitar)
  • Cherry-red Rhodes (steel guitar)
  • Sid Sharp (violin, strings)
  • Jim Horn (flute)
  • Roy Caton (trumpet)
  • Don Randi (piano)
  • Jerry Scheff (bass guitar)
  • Carol Kaye (bass guitar)
  • Hal Blaine (drums)

Norah Jones and Ray Charles duet version [edit]

"Here We Go Once more"
Single past Ray Charles and Norah Jones
from the album Genius Loves Company
Released Jan 31, 2005
Recorded RPM International Studio (Los Angeles)
Genre Pop
Length 3:59
Characterization Concord/Hear Music
Songwriter(s) Don Lanier, Carmine Steagall
Producer(s) John R. Burk
Ray Charles singles chronology
"Female parent"
(2002) 		"Here We Go Over again"
(2005) 		"You Don't Know Me"
(2005)
Norah Jones singles chronology
"Those Sweet Words"
(2004) 		"Here Nosotros Go Again"
(2004) 		"Thinking About You lot"
(2006)

In 2004, Charles re-recorded "Hither Nosotros Go Again" equally a duet with American vocalist-songwriter Norah Jones, who grew up listening to his music.[71] During Jones' Billboard interview for her 2010 collaboration album ...Featuring, which included her "Hither We Go Again" duet, she said "I got a call from Ray request if I'd be interested in singing on this duets record. I got on the next plane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there."[72] She noted in 1 ...Featuring interview that the but role that was not done live was a piano overlay that she added after to complement Charles' keyboard. In the same interview, she noted that she had been given the opportunity to select a vocal from Charles' songbook to perform every bit a duet and felt that this one provided the best opportunity to harmonize rather than alternate song verses.[73] On the record, the two singers vocalize,[74] accompanied by Billy Preston on Hammond organ,[75] [76] who had at ane fourth dimension been the regular organist in Charles' band.[71]

Reception [edit]

As office of Charles' Grammy Award for Album of the Yr-winning Genius Loves Visitor, the song proved to be the almost popular and critically acclaimed on the album. Although the song had its early detractors,[77] [78] it received mostly favorable reviews. Several reviewers noted the complementarity of Jones and Charles. The Daily Vault 'southward Jason Warburg described the song as a "jazzy, slinky pas de deux" in which Charles matches Jones note for note."[79] JazzTimes' Christopher Loudon said Charles "blends seamlessly with Jones on a velvet-and-buckram" performance.[lxxx] The vocal was described by the Orlando Picket 'south Jim Abbott as a recreation of i of the gems from Charles' country music phase of the 1960s that produced the perfect "combination of voices and instruments" with Preston'south accompanying role on Hammond B3.[7] As opposed to other tracks on the anthology, when Charles' vox was understated, this vocal was said to represent his "indomitable spirit", while Jones performed as "an empathetic foil, [with] her warm, lazy vocals meshing convivially with his over a spare just funky arrangement".[71] Author Mike Evans wrote that "in that location's a mutual warmth of purpose in every breath [Charles and Jones] accept" on the song.[75] Music Calendar week staff noted the timeliness of the release with the biographical picture show Ray in theaters and described the song as soulful, that finely combines Charles' "deep, honeyed growl with Jones's lighter timber", while noting Preston for his "sweeping" organ work.[81]

The song received other specific forms of praise. Robert Christgau notes that Jones carried the song burden as did many of Charles's duet partners on the album.[82] USA Today 'due south Steve Jones said the vocal "strikes an easy groove".[76] PopMatters' Kevin Jagernauth says "Jones nicely compliments Charles on this beautiful opening track".[27] Preston's performance was favorably described by The Washington Post 'south Richard Harrington as "smoky".[71] Critic Randy Lewis from the Chicago Tribune noted that the song'south "countrified ache" represented that part of Charles' career.[83]

When the vocal was included on Jones' ...Featuring, which included three of her collaborations from Albums of the Year and several from albums that were nominees,[84] the song did non stand out. Few of the reviews at Metacritic had noun comments on the duet when included among her grouping of collaborations.[85] While reviewing ...Featuring, Jonathan Keefe of Slant Magazine wrote that the duet was a "more staid and less compelling recording" on the album.[86] Still, Allmusic staff noted that she worked comfortably with Charles and Chris Rizik of Soul Tracks said the track was more than just filler.[87] [88]

Awards and nominations [edit]

In Dec 2004, the Jones–Charles version of the song was nominated in two categories at the 47th Grammy Awards.[89] At the February xiii, 2005 awards ceremony, the duet earned the award for Tape of the Year and Best Pop Collaboration with Vocals.[90] It was the second Record of the Twelvemonth winner not to make the Hot 100 (following "Walk On" in 2001 by U2).[91] The song won Tape of the Yr, just non Song of the Year. Tape of the Year is awarded to the artist(southward), producer(southward), recording engineer(s) and/or mixer(s), if other than creative person for newly recorded material. Song of the Year is awarded to the songwriter(s) of a new song or a song first achieving prominence during the eligibility year.[92] Steagall and Lanier are credited as the writers of this song from their work on its original version in 1967.[93] Thus, the song was non a new song.

Nautical chart functioning [edit]

African American performing at a keyboard in concert

Charles in July 2003, less than 11 months before his 2004 death

For the week catastrophe September 18, 2004, Genius Loves Company sold 202,000 copies, ranking second on the US Billboard 200 nautical chart and condign Charles' highest-charting album in over xl years. Digital singles sales saw 12 of the 13 tracks on the anthology brand the US Billboard Hot Digital Tracks Height 50 chart. "Here Nosotros Go Once more" was the download sales leader amid the album's songs that totaled 52,000 digital downloads.[94] [95] During the calendar week the anthology was released, the vocal debuted on the Us Billboard Hot Digital Tracks nautical chart at number 26.[96] "Here Nosotros Become Again" fell out of the pinnacle l 2 weeks afterwards.[97] It was released as a single for digital download on Jan 31, 2005.[98] On May 22, 2019, the song was certified gold by the Recording Industry Association of America for shipments exceeding 500,000 units in the Usa.

Afterwards the anthology earned eight Grammy Awards and the song won Tape of the Year, sales picked upwards and the album was re-promoted.[99] "Hither We Go Over again" entered the US Billboard Bubbling Under Hot 100 chart at number 5 in the result dated (for the week ending) February 26, 2005.[100] The song charted for a week on both the The states Billboard Hot Digital Songs height 75 at number 73 and the US Billboard Pop 100 at number 74 for the week ending March 5, 2005, but still did non brand the Hot 100,[101] ranking 113th earlier falling out of the chart.[48] However, information technology ascended to its Bubbling Under Hot 100 chart elevation position of number two for the week catastrophe March 5, 2005.[102] A compact disc single of the vocal was released on April xix, 2005.[103]

In Republic of austria, the duet debuted on the Ö3 Republic of austria Top 40 chart at number 53 on March 6, 2005, and peaked the following calendar week at number 52. It logged half dozen weeks on the chart.[104] "Here We Become Again" entered the French Singles Chart at number 54 on Apr 2, 2005 and peaked one week afterwards at number 51. Information technology lasted x weeks on the top 100 chart.[105]

Track list [edit]

  • CD single [103]
  1. "Here We Get Again" (Ray Charles and Norah Jones) – 3:59
  2. "Mary Ann" (Poncho Sanchez featuring Ray Charles) – 5:05
  3. "Interview With Norah Jones" – 1:35

According to Allmusic, the duet version was betwixt three:56 and 3:59 on various albums.[17]

Credits [edit]

The song was recorded at RPM International Studio (Los Angeles), mixed at Capitol Studios and mastered at the Mastering Lab.[106]

Country chart versions [edit]

Johnny Duncan charted a version of the song for Columbia Records that missed the Hot 100 chart. It debuted on the Hot State Songs nautical chart on September 30, 1972, peaking at number 66 and spending a full of 5 weeks on the nautical chart.[107] The song likewise spent five weeks on the Cashbox Country Singles Chart, debuting on October vii, 1972, and peaking at number 61 3 weeks later.[108]

In 1982, Roy Clark produced a version of the song on his Turned Loose anthology for Churchill Records that he performed on the November six, 1982 (season fifteen, episode ix), episode of Hee Haw.[109] [110] It missed the Hot 100 chart, only it entered the Hot Country Songs chart for the week catastrophe October 30, 1982, at 88.[111] The vocal was one of only two mentioned in the October xxx, 1982, Billboard album review and was described as "a solid land number".[112] The song peaked at number 65 in the week ending November 27 and remained in the chart for two more weeks, making the full run seven weeks.[113] [114] The song too spent vii weeks on the Cashbox Country Singles Nautical chart, debuting on November 6, 1982, and peaking at number 61 for two weeks (Dec 4 and xi).[115]

Other versions and uses [edit]

Billy Vaughn covered "Here We Get Again" on his 1967 Ode to Billy Joe instrumental album,[116] as did Dean Martin on his 1970 album My Woman, My Woman, My Married woman.[117] Glen Campbell's version appeared on his 1971 album The Last Time I Saw Her,[118] Eddy Arnold'south on his 1972 album Solitary People,[119] and George Strait's on his 1992 anthology Holding My Ain.[120] Steagall performed it with Reba McEntire on his 2007 Here We Become Once more anthology, but she did not include it on her 2007 duets album Reba: Duets, which was released four weeks subsequently.[121] [122] Their collaboration was favorably reviewed, and McEntire was said to reinvigorate this country standard by Nathalie Baret of ABQ Journal.[123] Martin's version was three:07, and it later appeared on compilation albums, starting with the 1996 Dean Martin Gold, Vol. ii. It has appeared on a scattering of other Martin compilation albums.[117] Campbell's version was only 2:26.[118] Strait's version is 2:53 and appears subsequently his 2004 Greatest Drove at a two:55 length.[120] Steagall'due south version with McEntire (who Steagall discovered at a 1974 county off-white)[123] [124] is 3:10.[125] R&B and boogie-woogie pianist and singer Niggling Willie Littlefield recorded a version for his 1997 album The Ruddy Ane.[126] [127] Peters and Lee fabricated a version of the vocal on their 1976 on their Serenade album.[128] Joe Dolan produced a 1972 single of the song[129] that he included on his 1976 album Golden Hour Of Joe Dolan Vol. 2 and several of his greatest hits albums.[130] [131]

Willie Nelson and Wynton Marsalis, forth with Norah Jones, performed two concerts at Lincoln Center's Rose Theatre on February ix and 10, 2009. A 2011 alive tribute album by Nelson and Marsalis featuring Jones entitled Here We Get Once again: Jubilant the Genius of Ray Charles was recorded on these two live dates. The album, which was released on March 29, 2011, included a track entitled "Hither We Become Over again".[132] [133] The vocals on "Hither We Go Again" were performed by Jones and Nelson, while instrumental back up was provided by Marsalis (trumpet), Dan Nimmer (pianoforte), Mickey Raphael (harmonica), Walter Blanding (tenor saxophone), Carlos Henriquez (bass) and Ali Jackson (drums and percussion).[93] The vocal, which had a length of 5:x, was arranged by Andy Farber and performed in a rhythm and blues 12/8 shuffle.[93] BBC music reviewer Bill Tilland noted that Jones added her usual "style and brio" to this functioning.[134] At one concert operation, The New York Times critic Nate Chinen felt the song sounded unrehearsed.[135] Although critique of this track is sparse, Popular Matters 'due south Will Layman notes that the album reveals "how decisive and potent Jones sounds while singing with a truly legitimate jazz group" and how Nelson predictably "breezes through his tunes with cavalier grace". Meanwhile, he praises the professional mastery of Marsalis' quintet.[136] Tilland as well notes that on the album Marsalis' band "compensates quite adequately for occasional lacklustre vocals."[134]

George Strait'due south land music version was performed with the instrumental support of Joe Chemay (bass guitar), Floyd Domino (piano), Buddy Emmons (steel guitar), Steve Gibson (acoustic guitar), Johnny Gimble (fiddle), Jim Horn (saxophone, alto flute), Larrie Londin (drums), Liana Manis (background vocals), Curtis Young (background vocals), and Reggie Young (electric guitar). The anthology was produced by Jimmy Bowen and Strait.[137] In 1992 Amusement Weekly 's Alanna Nash regarded the anthology every bit Strait's "most difficult-core country album" up to that indicate in his career.[138] Allmusic staff noted that the album held its own at the time of release confronting most of its competitors and has aged better than most land music albums.[139] Ralph Novak, Lisa Shea, Eric Levin, and Craig Tomashoff of People said the album represents the most straightforward style of singing.[140] The iTunes Shop describes the anthology equally the outcome of a transition in eras of state music.[141]

The vocal plays during the opening credit dance past Franz (Harry Baer) and Margarethe (Margarethe von Trotta) in Rainer Werner Fassbinder's 1970 film Gods of the Plague.[142] [143] However, the vocal was on neither the eponymous soundtrack for the 2004 film Ray nor the limited edition boosted soundtrack album More than Music From Ray.[144] [145]

Notes [edit]

  1. ^ Charles & Ritz 2004, pp. 196–97.
  2. ^ a b Friedwald, Will (2010). A Biographical Guide to the Great Jazz and Pop Singers. Pantheon Books. pp. 78–80. ISBN978-0375421495.
  3. ^ Charles & Ritz 2004, p. 222.
  4. ^ Charles & Ritz 2004, p. 223.
  5. ^ Charles & Ritz 2004, p. 248.
  6. ^ Lydon 1998, pp. 213–16.
  7. ^ a b Abbott, Jim (August 31, 2004). "Distinctive Audio Of Genius: Music Review: The Last Album From Ray Charles Isn't Stellar, But It'due south A Pleasant Listening Experience Just The Aforementioned". Orlando Lookout man. Tribune Company. Retrieved May 13, 2011.
  8. ^ Charles & Ritz 2004, p. 354.
  9. ^ Lydon 1998, p. 260.
  10. ^ a b Lydon 1998, p. 268.
  11. ^ "Here Nosotros Go Once again (Legal Title)". Broadcast Music Incorporated. Archived from the original on July 19, 2012. Retrieved May 8, 2011.
  12. ^ a b "Ray Charles – Modern Sounds in Land and Western Music". Discogs. Retrieved May 8, 2011.
  13. ^ a b Modern Sounds in Land and Western Music (Meaty disc liner). Ray Charles. Los Angeles, California: Rhino Entertainment Visitor. 1988. R2 70099. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  14. ^ Edwards, David, Patrice Eyries and Mike Callahan (August v, 2004). "Tangerine Album Discography". Both Sides Now Publications. Retrieved May viii, 2011. {{cite spider web}}: CS1 maint: multiple names: authors list (link)
  15. ^ "Ray Charles Invites You to Listen -..." Billboard. Prometheus Global Media. Retrieved May eight, 2011.
  16. ^ "Ray Charles Invites Y'all To Listen". Retrieved May 8, 2011.
  17. ^ a b c "Hither We Go Once again". Allmusic. Rovi Corporation. Retrieved May 8, 2011.
  18. ^ Whitburn, Joel (2006). The Billboard Albums (6th ed.). Record Enquiry. pp. 191–192. ISBN0-89820-166-7.
  19. ^ a b c Carlin, Richard (2002). Country Music: A Biographical Dictionary. Routledge. p. 385. ISBN0415938023.
  20. ^ Woodstra, Chris; Stephen Thomas Erlewine; Vladimir Bogdanov; Michael Erlewine, eds. (1997). All Music Guide to State: The Experts' Guide to the Best State Recordings. Backbeat Books. p. 447. ISBN0879304758.
  21. ^ a b c Jameson, W. C. (2008). Notes from Texas: on writing in the Lone Star State. Texas Christian University Printing. pp. 208–nine. ISBN978-0875653587.
  22. ^ a b Shestack, Melvin (1974). The Country Music Encyclopedia . Thomas Y. Crowell Company. p. 265. ISBN0-690-00442-7.
  23. ^ Larkin, Colin (1998). The Virgin encyclopedia of state music. Virgin Publishing. p. 405. ISBN0753502364.
  24. ^ Kingsbury, Paul, ed. (2004). The Encyclopedia of Country Music: The Ultimate Guide to the Music. Oxford University Press. pp. 505–6. ISBN0195176081.
  25. ^ "Ray Charles – Here We Go Again Sheet Music". Musicnotes.com. Dirk Music. February 14, 2005. Retrieved May nine, 2011.
  26. ^ a b "Meridian 60 Spotlights". Billboard. Nielsen Business Media, Inc. 79 (18): 20. May six, 1967. ISSN 0006-2510. Retrieved May 8, 2011.
  27. ^ a b Jagernauth, Kevin (August 31, 2004). "Ray Charles". PopMatters. PopMatters Media, Inc. Retrieved May 12, 2011.
  28. ^ a b "Here We Go Again: Ray Charles". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  29. ^ Lydon 1998, pp. 268–72.
  30. ^ "Hot 100: For week ending May 20, 1967". Billboard. Nielsen Business organization Media, Inc. 79 (20): xx. May xx, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  31. ^ "Top Selling R & B Singles: Billboard Special Survey for week ending June 10, 1967". Billboard. Nielsen Business Media, Inc. 79 (23): 30. June 10, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  32. ^ "Hot 100: For week ending July 22, 1967". Billboard. Nielsen Business Media, Inc. 79 (29): 24. July 22, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  33. ^ "Hot 100: For week ending July 29, 1967". Billboard. Nielsen Business Media, Inc. 79 (30): 22. July 29, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  34. ^ "Top Selling R & B Singles: Billboard Special Survey for week catastrophe July 22, 1967". Billboard. Nielsen Business Media, Inc. 79 (29): 34. July 22, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  35. ^ "Peak Selling R & B Singles: Billboard Special Survey for week ending July 29, 1967". Billboard. Nielsen Business Media, Inc. 79 (thirty): 30. July 29, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  36. ^ "Hot 100: For week ending August 12, 1967". Billboard. Nielsen Business organisation Media, Inc. 79 (32): 24. August 12, 1967. ISSN 0006-2510. Retrieved May eight, 2010.
  37. ^ "Hot 100: For calendar week ending September 2, 1967". Billboard. Nielsen Business Media, Inc. 79 (35): 39. September 2, 1967. ISSN 0006-2510. Retrieved May eight, 2010.
  38. ^ "Top Selling R&B Singles: Billboard Special Survey for week catastrophe September 9, 1967". Billboard. Nielsen Business Media, Inc. 79 (36): 39. September ix, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  39. ^ Evans 2005, p. 209.
  40. ^ "Top Records of 1967 (Based on Billboard Charts)". Billboard. Nielsen Business organisation Media, Inc. 79 (52): 42. Dec xxx, 1967. ISSN 0006-2510. Retrieved May ix, 2011.
  41. ^ "Top twoscore Official Great britain Singles Archive: 8th July 1967". Official Charts Visitor. Retrieved May 8, 2011.
  42. ^ "Hither We Go Again". Official Charts Company. Retrieved May viii, 2011.
  43. ^ "Ray Charles". The Official Charts Visitor. Archived from the original on February 4, 2013. Retrieved May nine, 2011.
  44. ^ "Ray Charles – Here We Go Again". Dutchcharts.nl. Hung Medien. Retrieved May ix, 2011.
  45. ^ Here We Get Once again (seven-inch vinyl single). Ray Charles. Los Angeles, California: ABC. 1967. 45-10938. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  46. ^ a b Lord, Tom (1992). The Jazz Discography. Vol. 4. Lord Music Reference Inc. p. C253. ISBN1-881993-03-5.
  47. ^ Whitburn, Joel (2006). The Billboard Book of Top forty R&B And Hip-Hop Hits. Billboard Books. p. 99. ISBN0-8230-8283-0.
  48. ^ a b Whitburn, Joel (2009). Top Popular Singles (twelfth ed.). Nielsen Business Media. p. 179. ISBN978-0-89820-180-two.
  49. ^ a b c "Nancy Sinatra – Nancy CD". CD Universe. Retrieved August six, 2011.
  50. ^ "Programming Aids". Billboard. Nielsen Business Media, Inc. 81 (21): 30. May 24, 1969. ISSN 0006-2510. Retrieved May 10, 2011.
  51. ^ a b Sinatra, Nancy (1969). Nancy (Vinyl). Nancy Sinatra. Germany: Reprise. RS 6333.
  52. ^ a b c d "Special Merit Spotlight". Billboard. Nielsen Business Media, Inc. 81 (16): 77. April 19, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  53. ^ a b Hither We Go Over again (vii-inch vinyl single). Nancy Sinatra. Canada: Reprise. 1969. 0821. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  54. ^ "Nancy [Original recording reissued, Original recording remastered]". Retrieved May 9, 2011.
  55. ^ "Bubbling Under The Hot 100". Billboard. Nielsen Business organization Media, Inc. 81 (20): 82. May 17, 1969. ISSN 0006-2510. Retrieved May ix, 2011.
  56. ^ "Billboard Acme 40 Easy Listening". Billboard. Nielsen Business organization Media, Inc. 81 (twenty): 73. May 17, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  57. ^ "Billboard Hot 100 For Calendar week Catastrophe May 24, 1969". Billboard. Nielsen Business Media, Inc. 81 (21): 58. May 24, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  58. ^ Whitburn, Joel (2009). Top Popular Singles (12th ed.). Nielsen Business Media, Inc. p. 894. ISBN978-0-89820-180-2.
  59. ^ "Charts Search". Billboard. Nielsen Business concern Media, Inc. Retrieved May ix, 2011.
  60. ^ "Billboard Height 40 Easy Listening". Billboard. Nielsen Concern Media, Inc. 81 (23): 64. June seven, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  61. ^ "Billboard Top 40 Easy Listening". Billboard. Nielsen Business Media, Inc. 81 (24): 74. June 14, 1969. ISSN 0006-2510.
  62. ^ "Billboard Meridian 40 Easy Listening". Billboard. Nielsen Business Media, Inc. 81 (25): 82. June 21, 1969. ISSN 0006-2510.
  63. ^ "RPM Young Adult". RPM. RPM Music Publications. 11 (14). June 2, 1969. ISSN 1196-6351. Archived from the original on October 22, 2012. Retrieved May 17, 2011.
  64. ^ "RPM Immature Developed". RPM. RPM Music Publications. 11 (16). June 16, 1969. ISSN 1196-6351. Archived from the original on October 23, 2012. Retrieved May 17, 2011.
  65. ^ "RPM Young Adult". RPM. RPM Music Publications. xi (17). June 23, 1969. ISSN 1196-6351. Archived from the original on Oct 22, 2012. Retrieved May 17, 2011.
  66. ^ "RPM Young Adult". RPM. RPM Music Publications. 11 (xviii). June xxx, 1969. ISSN 1196-6351. Archived from the original on October 22, 2012. Retrieved May 17, 2011.
  67. ^ "Nancy Sinatra: Billboard Singles". Allmusic. Rovi Corporation. Retrieved May 9, 2011.
  68. ^ "Hither We Become Once again: Nancy Sinatra". Allmusic. Rovi Corporation. Retrieved May x, 2011.
  69. ^ "WB-vii line to RCA's Club". Billboard. Nielsen Business Media, Inc. 80 (17): 11. April 27, 1968. ISSN 0006-2510. Retrieved May 14, 2011.
  70. ^ Haber, Joyce (October 13, 1971). "'Funny Face' Sandy Has Cracking Rating, Marital Split". Sarasota Journal. Lindsay Newspapers Inc. p. 19. Retrieved May xiv, 2011.
  71. ^ a b c d Harrington, Richard (September 1, 2004). "From the Genius, Final Gleamings at Twilight". The Washington Post. p. C1. Retrieved May 13, 2011.
  72. ^ "'Featuring' Norah Jones Runway-By-Track". Billboard. Prometheus Global Media. November ten, 2010. Retrieved May viii, 2011.
  73. ^ "Norah Jones – Hither Nosotros Get Again (...Featuring) ft. Ray Charles". Artist Direct. Rogue Digital, LLC. Retrieved Baronial half dozen, 2011.
  74. ^ Concepcion, Pocholo (February 22, 2005). "Genius Loves Visitor". Philippine Daily Inquirer. Philippine Daily Inquirer, Inc. Retrieved May 13, 2011.
  75. ^ a b Evans 2005, p. 278.
  76. ^ a b Jones, Steve (August 30, 2004). "Charles' terminal notes are 'Genius'". USA Today. Gannett Company, Inc. Retrieved May 12, 2011.
  77. ^ Printz, Larry (September 4, 2004). "Ray Charles 'Genius Loves Company'". The Morning Call. Tribune Company. Retrieved May 13, 2011.
  78. ^ Farber, Jim (August 31, 2004). "His Musical 'Genius,' Paired Down". New York Daily News. Mortimer Zuckerman. Retrieved May 13, 2011.
  79. ^ Warburg, Jason (August 31, 2004). "Genius Loves Company". The Daily Vault. Jason Warburg and The Daily Vault. Retrieved May 12, 2011.
  80. ^ Loudon, Christopher (September 2004). "Ray Charles: Genius Loves Company". JazzTimes. JazzTimes. Archived from the original on June 25, 2012. Retrieved May 12, 2011.
  81. ^ "Reviews: Records released 31.01.05: Ray Charles with Norah Jones". Music Week. United Business Media: 37. Jan 22, 2005. ISSN 0265-1548.
  82. ^ Christgau, Robert (September 2004). "Robert Christgau: Dean of American Rock Critics". Robertchristgau.com. Retrieved May 12, 2011.
  83. ^ Lewis, Randy (September iii, 2004). "Ray Charles is in skillful company on terminal CD". Chicago Tribune. Tribune Visitor. Retrieved May 13, 2011.
  84. ^ Dezeme (April 26, 2011). "Music Review: Norah Jones – ...Featuring". Seattle Post Intelligencer. Hearst Corporation. Retrieved May 13, 2011.
  85. ^ "...Featuring Norah Jones – Norah Jones". CBS Interactive. November 16, 2010. Retrieved May thirteen, 2011.
  86. ^ Keefe, Jonathan (November 14, 2010). "Norah Jones: ...Featuring Norah Jones". Slant Mag. Camber Mag. Retrieved May 8, 2011.
  87. ^ "...Featuring Norah Jones". Allmusic. Rovi Corporation. Archived from the original on December 18, 2010. Retrieved May thirteen, 2011.
  88. ^ Rizik, Chris (October 29, 2010). "Norah Jones – ...Featuring (Advance Review) (2010)". Soul Tracks. Soul Tracks. Retrieved May thirteen, 2011.
  89. ^ "Grammy Award nominees in tiptop categories". USA Today. Gannett Company, Inc. Feb 7, 2005. Retrieved May 11, 2011.
  90. ^ "Past Winners Search". The Recording Academy. Retrieved July 23, 2011.
  91. ^ Abrams, Todd. "Hither Nosotros Go Over again for the First Time". Billboard. Nielsen Business Media, Inc. Retrieved Baronial two, 2011.
  92. ^ "52nd OEP Category Description Guide" (PDF). Grammy.com. Archived from the original (PDF) on Oct 27, 2009. Retrieved May 10, 2011.
  93. ^ a b c Hither We Get Again: Celebrating the Genius of Ray Charles (booklet). Willie Nelson and Wynton Marsalis featuring Norah Jones. New York City: Blueish Notation Records. 2011. pp. three–4. 509990 96388 2 two. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  94. ^ Pietroluongo, Silvio, Minal Patel and Wade Jessen (September xviii, 2004). "'Bowling' For a Chart Breakthrough". Billboard. Nielsen Business Media, Inc. 116 (38): 72. ISSN 0006-2510. Retrieved May 10, 2011. {{cite journal}}: CS1 maint: multiple names: authors list (link)
  95. ^ "September 18, 2004 Billboard Hot Digital Tracks". Billboard. Nielsen Concern Media, Inc. 116 (38): 73. September eighteen, 2004. ISSN 0006-2510. Retrieved May x, 2011.
  96. ^ Mayfield, Geoff (September 18, 2004). "Over The Counter". Billboard. Nielsen Business concern Media, Inc. 116 (38). ISSN 0006-2510. Retrieved May 8, 2011.
  97. ^ "October 2, 2004, Billboard Hot Digital Tracks". Billboard. Nielsen Business Media, Inc. 116 (40): 57. Oct 2, 2004. ISSN 0006-2510. Retrieved May eight, 2011.
  98. ^ "Here We Go Once more – Single". iTunes Store. Apple tree Inc. Archived from the original on Nov 12, 2012. Retrieved May nine, 2011.
  99. ^ Williams, Paul (February 26, 2005). "Eight Awards Spark 120% Sales Hike For Duets Album: Grammy Haul Sends Charles Up United kingdom of great britain and northern ireland Chart". Music Week. United Business concern Media: five. ISSN 0265-1548.
  100. ^ "Billboard: Other Charts". Billboard. Nielsen Business concern Media, Inc. 117 (9). February 26, 2005. ISSN 0006-2510.
  101. ^ Mayfield, Geoff (March 5, 2005). "March 5, 2005 Billboard Hot Digital Songs/March 5, 2005 Billboard Pop 100". Billboard. Nielsen Business concern Media, Inc. 117 (10). ISSN 0006-2510. Retrieved May 8, 2011.
  102. ^ "Billboard: Other Charts". Billboard. Nielsen Business organization Media, Inc. 117 (x). March 5, 2005. ISSN 0006-2510.
  103. ^ a b "Here We Become Again [Single, Enhanced, Import]". Retrieved May 9, 2011.
  104. ^ "Ray Charles with Norah Jones – Here We Go Again". Austriancharts.at. Hung Medien. Retrieved May nine, 2011.
  105. ^ "Ray Charles with Norah Jones – Here Nosotros Get Again". Lescharts.com. Hung Medien. Retrieved May 9, 2011.
  106. ^ Doe, John (2004). Genius Loves Company (booklet). Ray Charles. Beverly Hills, CA: Hear Music/Concord Records. p. 4. CCD-2248-two.
  107. ^ Whitburn, Joel (July 31, 1995). Joel Whitburn'south Top Country Single . Record Research. ISBN9780793550135.
  108. ^ Albert and Hoffmann, p. 101.
  109. ^ "Billboard 's Top Single Picks (for the week ending 10/9/82)". Billboard. Nielsen Business concern Media, Inc. 94 (40): 63. Oct 9, 1982. ISSN 0006-2510. Retrieved June 5, 2012.
  110. ^ "Hee-Haw Flavour 15, Episode 9, Aired Nov 06, 1982". Television receiver.com. Retrieved June 5, 2012.
  111. ^ "Billboard Hot Country Singles (Survey for calendar week catastrophe x/30/82)". Billboard. Nielsen Business concern Media, Inc. 94 (43): 44. October 30, 1982. ISSN 0006-2510. Retrieved June 5, 2012.
  112. ^ "Billboard Height Album Picks (Survey for week ending 10/30/82)". Billboard. Nielsen Business Media, Inc. 94 (43): 64. Oct xxx, 1982. ISSN 0006-2510. Retrieved June 5, 2012.
  113. ^ "Billboard Hot State Singles (Survey for week catastrophe eleven/27/82)". Billboard. Nielsen Business Media, Inc. 94 (47): 45. November 27, 1982. ISSN 0006-2510. Retrieved June v, 2012.
  114. ^ "Billboard Hot Country Singles (Survey for week ending 12/11/82)". Billboard. Nielsen Business organisation Media, Inc. 94 (49): 48. December 11, 1982. ISSN 0006-2510. Retrieved June 6, 2012.
  115. ^ Albert and Hoffmann, p. 67.
  116. ^ "Billy Vaughn – Ode To Billy Joe". Discogs. Retrieved May 10, 2011.
  117. ^ a b "Here We Go Again: Dean Martin". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  118. ^ a b "The Last Time I Saw Her: Glen Campbell". Allmusic. Rovi Corporation. Retrieved May x, 2011.
  119. ^ "Lonely People: Boil Arnold". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  120. ^ a b "Hither We Go Again: George Strait". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  121. ^ "Here We Get Once again". Retrieved May 14, 2011.
  122. ^ "Reba Duets". Retrieved May 14, 2011.
  123. ^ a b Baret, Nathalie (August 17, 2007). "Review; Red Steagall". ABQ Journal. ABQ Journal. Retrieved May 17, 2011.
  124. ^ "Reviews". Cashbox. Cashbox Mag, Inc. Archived from the original on September 18, 2010. Retrieved May ten, 2011.
  125. ^ "Here We Become Once again: Red Steagall". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  126. ^ "The Red One". Final.FM. Retrieved March 27, 2013.
  127. ^ "The Red One: Lilliputian Willie Littlefield". iTunes. Archived from the original on March five, 2016. Retrieved March 27, 2013.
  128. ^ "Peters & Lee – Here We Go Again (song)". Italiancharts.com . Retrieved March half-dozen, 2019.
  129. ^ "Joe Dolan – Hither We Get Once again". Discogs. Retrieved March 6, 2019.
  130. ^ "Joe Dolan: Here Nosotros Go Again". Allmusic. Retrieved March 6, 2019.
  131. ^ "Joe Dolan – Here We Get Again (song)". Italiancharts.com . Retrieved March six, 2019.
  132. ^ Oquist, Kenneth Eastward. (April one, 2011). "'Here We Become Again': Live Ray Charles Tribute from Willie Nelson, Wynton Marsalis, and Norah Jones". A&E Playground. Retrieved May 8, 2011.
  133. ^ "Here Nosotros Get Once more: Celebrating the Genius of Ray Charles". WillieNelson.com. Archived from the original on May xxx, 2011. Retrieved March 22, 2011.
  134. ^ a b Tilland, Beak (March 23, 2011). "Marsalis and Nelson join forces again, with aid from Norah Jones". British Broadcasting Corporation. Retrieved Baronial v, 2011.
  135. ^ Chinen, Nate (Feb 10, 2009). "Much Brass, a Bit of Twang and Plenty of Ray Charles". The New York Times . Retrieved Baronial 6, 2011.
  136. ^ Layman, Will (Apr one, 2011). "Willie Nelson and Wynton Marsalis featuring Norah Jones: Here We Go Again". PopMatters. PopMatters Media, Inc. Retrieved August five, 2011.
  137. ^ Holding My Own (booklet). George Strait. Universal City, CA: MCA Records. 1992. pp. 3–4. MCAD 10532. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  138. ^ Nash, Alanna (May 15, 1992). "Music Review: Holding My Own". Entertainment Weekly. Time Warner. Retrieved August 5, 2011.
  139. ^ "Holding My Ain: George Strait". Allmusic. Rovi Corporation. Retrieved August 5, 2011.
  140. ^ Novak, Ralph, Lisa Shea, Eric Levin, and Craig Tomashoff (June 8, 1992). "Picks and Pans Review: Holding My Own". People. Time Inc. Retrieved August 5, 2011. {{cite spider web}}: CS1 maint: multiple names: authors list (link)
  141. ^ "Property My Ain: George Strait". iTunes Shop. Apple Inc. Retrieved Baronial v, 2011.
  142. ^ Steadman Watson, Wallace (1996). Agreement Rainer Werner Fassbinder: Motion-picture show As Private and Public Art . University of Southward Carolina Press. p. 76. ISBN1570030790. Gods of the Plague Here We Become Again.
  143. ^ Bryson, Norman, Michael Ann Holly, and Keith P. F. Moxey (1994). Visual Culture: Images and Interpretations. Wesleyan. p. 278. ISBN081956267X. {{cite book}}: CS1 maint: multiple names: authors listing (link)
  144. ^ "Ray Soundtrack CD". CD Universe. Retrieved June 6, 2012.
  145. ^ "More than Music from Ray Soundtrack CD". CD Universe. Retrieved June 6, 2012.

Bibliography [edit]

  • Albert, George; Frank Hoffmann (1984). The Cash Box Country Singles Charts 1958–1982. Scarecrow Press, Inc. ISBN0-8108-1685-7.
  • Charles, Ray; Ritz, David (2004). Brother Ray: Ray Charles' Own Story (3rd Da Capo Press ed.). Da Capo Press. ISBN0-306-81431-five.
  • Lydon, Michael (1998). Ray Charles: Man and Music . Riverhead Books. ISBN1-57322-132-five.
  • Evans, Mike (2005). Ray Charles: The Nascency of Soul. Coach Printing. ISBN978-1-84449-764-5.

mccrayworterincur.blogspot.com

Source: https://en.wikipedia.org/wiki/Here_We_Go_Again_(Ray_Charles_song)

0 Response to "Here We Go Again Ray Charles Lyrics"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel